Thomas Behling

Pink Lady

"Pink Lady", 2022, 63 x 51 cm

Übersinnlose Bilder für eine bessere Welt

Image objects by Thomas Behling

In many of his pictorial objects, Thomas Behling deals with the destruction of our planet, which threatens the existence of us humans and our culture. If we carry on like this, we will trigger processes in our environment that we will no longer be able to stop. Once the tipping point has been passed, the climate will heat up in a self-accelerating manner - followed by a far-reaching decline of humanity. Unless, of course, we manage to achieve a comprehensive social, cultural and economic transformation in time and at maximum speed.

Theoretically, we have more opportunities today to solve our problems than ever before in human history. If we do not utilise these opportunities now, our options for action will very soon dwindle and humanity will be increasingly driven by catastrophe. Despite this knowledge, we find it very difficult to change our behaviour. There are various reasons for this. We find ourselves in an existential cultural crisis.
In order to find a way out of this situation, something has to change in our way of thinking. It is probably different from the way we imagine it and not the way we are used to thinking. We certainly think and act differently than we perceive ourselves.

The present is a product of history and a continuation of the past. We need to broaden our horizon of thought in this way in order to better recognise the weight of our actions. Thomas Behling sees it as his task as an artist to create works that contribute to a reflection on our situation. In his pictorial objects modelled on historical finds, the viewer encounters a collective memory with its individual memories and their specific filters and amplifiers. He uses outdated visual aesthetics because they conceal much more of our current world view and thinking than we realise and agree with. Supposed remnants of an earlier time lead straight into the crises and conflict zones of the present. He takes up aspects of deception and invention in order to illustrate how illusion works and to gain insight into appearance, deception and transfiguration.

Opening on Saturday, 27 September 2025, starting at 2 p.m.

Saturday, 27 September to Sunday, 5 October 2025

Kultur- und Gemeindehaus Fritz Reuter
Dorfstraße 26
17209 Stuer Vorwerk
Germany

Open on Saturday, Sunday and Thursday, 2–6 p.m.
Free admission

"Universum Clock – Die Stimmen der Verstorbenen"

Thomas Behling: "Ich wollte schon immer nicht wissen, wie sehr ich mich selbst verarschen kann."– "I have never wanted to know, just how well I can fool myself." V, 2022, 23 x 32 cm

"Patriotismen" – "Patriotisms"

‘Dulce et decorum est pro Patria mori’ – ‘It is sweet and honourable to die for one’s country’: the stem of the word ‘patriotism’ is familiar from this line, attributed to Horace. For a wide range of positions it provides an important sense of goodwill for the cause of the community, or even for being willing to sacrifice oneself. Country and origin (‘blood and soil’, as the Nazi dictatorship called it), accepted without question as a unifying factor, are emphasised along with external threats, such as other countries or peoples. Dissidents also use patriotic arguments from time to time, but they see a danger from within, for example in societal wrong turns or tyrannical ruling elites, which they oppose. The pathos inherent in the respective arguments touches the artistic level and is intended to provide the inspiration for our thematic group exhibition.

artists:
Reinhold Adt, Aljoscha, AnimaeNoctis, Frank Aumüller, Ori Aviram, Thomas Behling, U!!i Berg, Katharina Büttgen, Nora Cherky, Helon Conning, D.N.K. Filoarts, BBB Johannes Deimling, David Ivo Ehimare, Heike Ehrath, Klaus Fabricius, Maxim Fadeev, Ariane Faller, Finding the Wild, Kuesti Fraun, Michael Gompf, Marcus Gwiasda, Markus Hallstein, Marc Hautmann, José Herrera, Oliver Herrmann, Yvy Heussler, Károly Hofgárt, Susanne Hofmann, Erwin Holl, Barbara Kastin, Willem-Jan Kersten, Anja Klafki, Alexander Kluge, Ulrich Langenbach, Beate Ludwig, Ben Maier, Renate Maucher, John-Patrick Mikisch, Steffen Moddrow, Janosch Müller, Susanne Neiss, Patricia Paryz, Christopher Paul, Hans Pfrommer, Norbert Prothmann, Paula Pullmann, Susa Ramsthaler, John Reardon, Ellen Rein, Stephanie Reling, Jens Riesle, Kerstin Römhild, Schlag & Sahne, Jochen Schlöder, Eva Schmeckenbecher, Peter Schmidt, Jost Schneider, Cosima Schuba, Martina Sedda, Stefan Seffrin, Johanna Smiatek, Edward Snowden, Soonhah, Oksana Stogova, Katja Struif, Karin Stumpf, Thomas Ulm, Manfred Unterweger, verstoffwechselt, Claudia Vogel, Chen Wang, Barbara Weiss, Julia Wenz-Delaminsky, Winkler/Köperl, David Wittinghofer, Anke Zapf, Angelika Zeller, Gabrielle Zimmermann

Opening on Friday, 19 September 7 pm
19. September bis 4. Oktober

Film programme:
Wednesday, 24 September at 7 p.m.: ‘Die Patriotin’ (The Patriot), Alexander Kluge, Germany 1979, 16 mm projection
Wednesday, 1 October at 7 p.m.: ‘Citizenfour’, documentary film about Edward Snowden, USA/Germany 2014

Finissage on Friday, 4 October at 7 p.m.


Oberwelt
Reinsburgstrasse 93
70197 Stuttgart
Germany

open Mondays 9 pm til midnight
Free admission

Nachspurbild – Exercise writing

Thomas Behling: "Nachspurbild" – "Exercise writing", 2025
Inscription: ‘Ich will nicht auf die Zukunft meiner Kinder verzichten.’ – ‘I don't want to forego my children's future.’, 52 x 42 cm

‘PROGRESS AND MYTHOLOGY’ - THE BIG SUMMER ART SHOW

‘PROGRESS AND MYTHOLOGY’ is the title of the big summer art show 2025 at Atelierhof Kreuzberg.

Opening on Saturday, 16 August 2025 at 7 p.m.
19.08. - 29.08.2025

artists:
Micki Tschur, Andre Hornischer, Cy Ley Applefield, Waldemar Kremser, Anna Staffel, Hartmut Jahn, Annette Hornischer, Patricia Dreyfus, Grazyna Zarebska, Stefan Kraft, Thomas Behling, Richard Rabensaat, Marco Goldenstein, Claudia Nickl, Kunstopfer, Wolfgang Schröm, Klaus Decker, Enzo Enzel, Sandra Becker, Emily Pütter, Buffy Klama, Markus Draese, Peter Lindenberg, Udo Lindemann, Christian Becking, Gleb Bas, Brigitta Friedrich, Sabine Hoffmann, Juliane Daldrop, Robert Ludwig, Achim Krämer, Andreas Helfer


ATELIERHOF KREUZBERG
SCHLEIERMACHERSTRAßE 31 (In the courtyard at the back left: large gate straight ahead)
10961 BERLIN
GERMANY


Opening hours:
Tuesday to Friday,4 p.m. – 6 p.m.
Free admission

"Vier romantisierende Betrachtungen zum Ende der Welt" – "Four romanticized contemplations on the end of the world"

Thomas Behling: "Vier romantisierende Betrachtungen zum Ende der Welt" – "Four romanticized contemplations on the end of the world", 2024, 113 x 72 x 49 cm

¡¿Unsere Welt ist schön?! – ¡¿Our world is beautiful?!

Every day the sun rises, every day can bring us wonderful experiences: in nature as the seasons and times of day change, when travelling, in a blooming garden, with family and friends, in encounters with people, plants and animals, with art, music and literature. Many moments are magical, for example when light shines through an interior.
Injustice, violence and destruction happen every day and are also part of our present - often to an extent that we can hardly bear.
This exhibition deals intensively with the here and now, with our present and also with where we are going now, because we don't want to know that what we are doing now is true.

Artists:
Bernd Baldus, Thomas Behling, Nicole Bellaire, Julia Belot, Christine Brunella, Pilar Colino, Crow, Coco Daub, Katja De Haney, Lupita De Haney, Claus Delvaux, Viktoria Diehn, Marc Dittrich, Gregor EsKa, Wilhelm Frederking, Ingo Fröhlich, Dagmar Gester, Nozomi Hasegawa, Björn Heyn, Iris Hoffmann, Helge Hommes, Kathrin Knape, Cornelia Krug-Stührenberg, Bernd Liebisch, Barbara Lorenz Höfer, Andreas Machanek, Rolf Mallat, Bettina Mauel, Petra Maria Mühl, Sanna Myrttinen, Isolde Nagel, Gabriele Nold, Reiner Packeiser, Dirk Pleyer, Stefanie Pöllot, Nele Probst, Siegfried Raeth, Lothar Reichardt, Katja Ruscher, Berit Schmidt-Villnow, Saxana Nicole Schötschel, Melanie Schramm, Bernd Schulz, Ulrike Seyboth, Julia Shanaytsa, Nadezhda Streltsova, nelo. Tröller, Chen Wang, Gabi Weinkauf, Manfred Wintermann, Alexander Zyzik und Veronika Zyzik

Vernissage on Sunday, 8 June 2025 at 3 pm
Duration: 8 June - 31 August 2025

Kunststation Kleinsassen
An der Milseburg 2
36145 Hofbieber-Kleinsassen
Germany

Open:
Tuesdays - Sundays and public holidays from 1 - 6 pm

Free admission