Thomas Behling

Pink Lady

"Pink Lady", 2022, 63 x 51 cm

Übersinnlose Bilder für eine bessere Welt

Image objects by Thomas Behling

In many of his pictorial objects, Thomas Behling deals with the destruction of our planet, which threatens the existence of us humans and our culture. If we carry on like this, we will trigger processes in our environment that we will no longer be able to stop. Once the tipping point has been passed, the climate will heat up in a self-accelerating manner - followed by a far-reaching decline of humanity. Unless, of course, we manage to achieve a comprehensive social, cultural and economic transformation in time and at maximum speed.

Theoretically, we have more opportunities today to solve our problems than ever before in human history. If we do not utilise these opportunities now, our options for action will very soon dwindle and humanity will be increasingly driven by catastrophe. Despite this knowledge, we find it very difficult to change our behaviour. There are various reasons for this. We find ourselves in an existential cultural crisis.
In order to find a way out of this situation, something has to change in our way of thinking. It is probably different from the way we imagine it and not the way we are used to thinking. We certainly think and act differently than we perceive ourselves.

The present is a product of history and a continuation of the past. We need to broaden our horizon of thought in this way in order to better recognise the weight of our actions. Thomas Behling sees it as his task as an artist to create works that contribute to a reflection on our situation. In his pictorial objects modelled on historical finds, the viewer encounters a collective memory with its individual memories and their specific filters and amplifiers. He uses outdated visual aesthetics because they conceal much more of our current world view and thinking than we realise and agree with. Supposed remnants of an earlier time lead straight into the crises and conflict zones of the present. He takes up aspects of deception and invention in order to illustrate how illusion works and to gain insight into appearance, deception and transfiguration.

Opening on Saturday, 27 September 2025, starting at 2 p.m.

Saturday, 27 September to Sunday, 5 October 2025

Kultur- und Gemeindehaus Fritz Reuter
Dorfstraße 26
17209 Stuer Vorwerk
Germany

Open on Thursday, Friday, Saturday and Sunday, 2–6 p.m.
Free admission

"Universum Clock – Die Stimmen der Verstorbenen"

Thomas Behling: "Ich wollte schon immer nicht wissen, wie sehr ich mich selbst verarschen kann."– "I have never wanted to know, just how well I can fool myself." V, 2022, 23 x 32 cm

"Patriotismen" – "Patriotisms"

‘Dulce et decorum est pro Patria mori’ – ‘It is sweet and honourable to die for one’s country’: the stem of the word ‘patriotism’ is familiar from this line, attributed to Horace. For a wide range of positions it provides an important sense of goodwill for the cause of the community, or even for being willing to sacrifice oneself. Country and origin (‘blood and soil’, as the Nazi dictatorship called it), accepted without question as a unifying factor, are emphasised along with external threats, such as other countries or peoples. Dissidents also use patriotic arguments from time to time, but they see a danger from within, for example in societal wrong turns or tyrannical ruling elites, which they oppose. The pathos inherent in the respective arguments touches the artistic level and is intended to provide the inspiration for our thematic group exhibition.

artists:
Reinhold Adt, Aljoscha, AnimaeNoctis, Frank Aumüller, Ori Aviram, Thomas Behling, U!!i Berg, Katharina Büttgen, Nora Cherky, Helon Conning, D.N.K. Filoarts, BBB Johannes Deimling, David Ivo Ehimare, Heike Ehrath, Klaus Fabricius, Maxim Fadeev, Ariane Faller, Finding the Wild, Kuesti Fraun, Michael Gompf, Marcus Gwiasda, Markus Hallstein, Marc Hautmann, José Herrera, Oliver Herrmann, Yvy Heussler, Károly Hofgárt, Susanne Hofmann, Erwin Holl, Barbara Kastin, Willem-Jan Kersten, Anja Klafki, Alexander Kluge, Ulrich Langenbach, Beate Ludwig, Ben Maier, Renate Maucher, John-Patrick Mikisch, Steffen Moddrow, Janosch Müller, Susanne Neiss, Patricia Paryz, Christopher Paul, Hans Pfrommer, Norbert Prothmann, Paula Pullmann, Susa Ramsthaler, John Reardon, Ellen Rein, Stephanie Reling, Jens Riesle, Kerstin Römhild, Schlag & Sahne, Jochen Schlöder, Eva Schmeckenbecher, Peter Schmidt, Jost Schneider, Cosima Schuba, Martina Sedda, Stefan Seffrin, Johanna Smiatek, Edward Snowden, Soonhah, Oksana Stogova, Katja Struif, Karin Stumpf, Thomas Ulm, Manfred Unterweger, verstoffwechselt, Claudia Vogel, Chen Wang, Barbara Weiss, Julia Wenz-Delaminsky, Winkler/Köperl, David Wittinghofer, Anke Zapf, Angelika Zeller, Gabrielle Zimmermann

Opening on Friday, 19 September 7 pm
19. September bis 4. Oktober

Film programme:
Wednesday, 24 September at 7 p.m.: ‘Die Patriotin’ (The Patriot), Alexander Kluge, Germany 1979, 16 mm projection
Wednesday, 1 October at 7 p.m.: ‘Citizenfour’, documentary film about Edward Snowden, USA/Germany 2014

Finissage on Friday, 4 October at 7 p.m.


Oberwelt
Reinsburgstrasse 93
70197 Stuttgart
Germany

open Mondays 9 pm til midnight
Free admission